πππππΌπ LP
by πππππΌπ
Fernando LΓ³pez
Fernando LΓ³pez
this is a beautiful album, I really enjoyed all the synth textures and the stereo filters he use sound amazing!
the cassette just arrived and I will be hearing it a lot for sure Favorite track: Spectacles.
the cassette just arrived and I will be hearing it a lot for sure Favorite track: Spectacles.
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Digital Album
Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card -
Cassette + Digital AlbumSkygas LP, limited cassette. Edition of 100.
56 minutes.
Includes unlimited streaming of πππππΌπ LP via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 3 daysedition of 90$10 USD or more
You own this
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1. |
Settling in
02:47
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2. |
Welcoming Absence
10:57
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3. |
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4. |
Autumn in the Tundra
06:58
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5. |
A Diamond Wind
02:26
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6. |
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7. |
Spectacles
08:43
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about
πππππΌπ is the new moniker of Seattle's Ian Price, known as the figure behind the unhinged Bonkers parties of the Northwest and the Pleasure Boat Records label, after years spent building gear and changing direction.
Under a new pseudonym, this debut album is the sound of a seasoned musician walking away from modern production and back into primordial sound. The result is a perpetual horizon machine focused on themes of joy, solitude, and impermanence, described as βnew age with abrasions.β
Scant traces of Ian's previous music as Naturebot can be found, removed from all the intricate production and vertical density in favor of letting these hallucinatory fantasias spread out across wide swaths of time, resting somewhere between the uncanny valley and the fertile crescent. πππππΌπ presents a landscape of fractured melodies and immense analog sounds colliding with each other, too chaotic and intense to be considered ambient music while too blissful and buoyant to be deemed experimental.
Opener Settling In feels like a broken transmission from a long lost gospel revue, while Autumn in the Tundra provides endless waves of muted colors. Acceptance of the Unknown provides a dreadful sense of comfort, following a flitting synth on the spritz bouncing around waves of tape loops of combo organs. Album closer Spectacles rumbles and flutters across massive layers of modular synths before imploding into a nebula of minuscule melodies.
Under a new pseudonym, this debut album is the sound of a seasoned musician walking away from modern production and back into primordial sound. The result is a perpetual horizon machine focused on themes of joy, solitude, and impermanence, described as βnew age with abrasions.β
Scant traces of Ian's previous music as Naturebot can be found, removed from all the intricate production and vertical density in favor of letting these hallucinatory fantasias spread out across wide swaths of time, resting somewhere between the uncanny valley and the fertile crescent. πππππΌπ presents a landscape of fractured melodies and immense analog sounds colliding with each other, too chaotic and intense to be considered ambient music while too blissful and buoyant to be deemed experimental.
Opener Settling In feels like a broken transmission from a long lost gospel revue, while Autumn in the Tundra provides endless waves of muted colors. Acceptance of the Unknown provides a dreadful sense of comfort, following a flitting synth on the spritz bouncing around waves of tape loops of combo organs. Album closer Spectacles rumbles and flutters across massive layers of modular synths before imploding into a nebula of minuscule melodies.
credits
released February 21, 2023
πππππΌπ
πππππΌπ
license
Some rights reserved. Please refer to individual track pages for license info.
